Showing posts with label Chris Addison. Show all posts
Showing posts with label Chris Addison. Show all posts

Saturday, 31 October 2009

Review: The Thick of It, Episode 2


'Could you pull in over here? And take out that cyclist, I think he is shadow cabinet.' Malcolm Tucker
SOMEONE once said that the glory in Richard Pryor's comedy was that in between the laughter and the tears you say, 'That's so true'.
The Thick of It is the best example of this in modern TV.
It redefines the genre of political comedy as, and, hey, wanky film theory phrase ahoy, it tears up conventional ideas of verisimilitude. It appears so real, draws so closely on news narratives and satirises them to such an extent that it renders all politics absurd.
Tonight, new social affairs minister Nicola Murray (Rebecca Front, pictured right), already in trouble with the press because of dodgy family links to PFI and private schooling, has to meet the Guardian with her department having lost the details of thousands of immigrants.
Before she gets there we see her office staff in a frenzy shedding documents and trying to hide the gaffe. The self-preservation instinct of the weasel civil servants is evident in the next scene:
Minister Murray: 'Someone has done a huge poo on my desk. Who is going to clear it up?'
Press kingpin Terry: 'My bum is clear of that.'

But its tremendous glory is in the probably pitch perfect depiction of the ad hoc craziness of political spin doctors formulating crisis policy, media strategy amid the incredibly elitist and closed realm of the Westminster reporting.
It's at a private lunch at the Guardian to define key policy and trying not to let slip time bomb scandals in a department that is clearly in crisis, that Murray lets slip to a visiting freelancer that a department in crisis has a media time bomb ticking.
Media management is the whore everyone involved is subservient to. Policy, such as it is, is always formulated and seen through the filter of how it will appear on the political pages of newspapers and TV news reports.
A government in crisis which once steadfastly and ruthlessly controlled the agenda can no longer do so. As junior policy merchant Olly (Chris Addison) and the apoplectic Malcolm try to intimidate the freelancer (Zoe Telford, with the story to make her career) to ditch it, it is apparent they can no longer control or frighten anyone. Their goose is cooked, their time in government is ticking inexorably down.
But, ultimately TTOI is now (as it always was) the Peter Capaldi Show. Malcolm's melt down in the taxi after Nicola discloses the 'hemorrhaging of data' was absolutely pricessless but his summation of the crisis was his best insult of all three series and the film spin-off:
'E-fucking-nough, you have laid your first egg of solid fuck [...] and spewed it out of your arse at 300 miles an hour.'

The horrible beauty of The Thick of It, and Malcolm Tucker's pointless tirades in support of a government facing impending destruction, is that they are so true of real political life that they go beyond comedy and render the whole process of modern governance absurd.

Sunday, 24 May 2009

Loop's upside your head

IT’S been a testing time at Miscellany HQ recently with work and other issues meaning there's been no writing but we are back in the journalistic saddle today with a glorious two films/ two cinemas/ eight cups of coffee day.
First up was the second viewing of Armando Iannucci’s In the Loop which is a veritable feast of spot on satire and inventive verbal filth. There’s lots of lubricated horse cocks in purviews, policies being fisted to death and the best abuse of a fax machine by the angriest man in Scotland in any film of the year.
In terms of tight plotting and sub plotting there’s not a great deal of depth, it is an extended version of the TV show that spawned it The Thick of It, but in characterisation it is superb.
Peter Capaldi as the astoundingly foul mouthed spin doctor Malcolm Tucker really comes into his boggle-eyed own, bullying Government ministers, ambassadors and journalists in an almost show stealing turn. Chris Addison and the ever wonderful Gina McKee as Government information officers Toby and Judy also qualify for honourable mention.
US improv veteran Zach Woods as the incredibly ambitious and obnoxious Washington state department junior staffer Chad is another revelation, his portrayal of an arse licking, backbiting Ivy League ingrate is spot-on.
Paul Higgins as Jamie, the aforemention angriest Scot, may just reprise his show stealing iPod hating spin meister, but he's still brilliant at it.
However, Tom Hollander as the hapless, ambitious career (New Labour) politician Simon Foster, is the real star of the movie. A vacillating eejit over promoted to Secretary of International Development who helps start a war by spouting metaphoric platitudes on Eddie Mair’s PM programme on Radio 4 is so realistic that it shows that as a satirist Iannucci remain’s the market leader in Britain.
Unable to deal with either his constituents or world leaders, he is an idiot who doesn’t recognise how his ambition to schmooze at the highest levels of the power structures is slowly killing his career.
But then, with Iannucci, his long term collaborator Tony Roche and Peep Show creators Jesse Armstrong and Sam Bain, this film was always going to be a wonderful, tightly scripted pitch perfect denunciation of the political classes.
The elected politicians are ineffective idiots bullied by unelected spin doctors and in the current climate of Smear-gate followed by Expenses-Gate, surely no film can have come out at a better time. Man oh man, but its prescience would be laughable if it weren’t so serious.
GM has seen this film twice in a week and there may be another visit in the not so distant future.